Monday, November 27, 2017

welcome ! " In March 2007, Ravan and the co-conspirators at Corezing agreed on a purchase price of $86,750 for 50 cavity-backed antennas from the United States and discussed structuring payment from Ravan to his Corezing co-conspirators in a manner that would avoid transactional delays caused by the Iran embargo. Ultimately, between July and September 2007, a total of 50 cavity-backed spiral antennas and five biconical antennas were exported from the United States to Corezing in Singapore and Hong Kong." The best I can do for you, no acquared patents available .

An IFM Receiver on a Single PCB

Calculator-size instantaneous frequency measurement (IFM) units, including digital frequency and phase/frequency discriminators


Instantaneous frequency measurement (IFM) devices traditionally have been large, cumbersome assemblies comprising multiple PCBs with the RF sections, and analog and digital circuitry located on separate boards. This configuration is both complicated and costly, and results in large and expensive receiver systems. The new Micro series digital frequency discriminators (DFD) are calculator-sized units that are essentially IFM units on a single PCB. In addition, the new Micro series phase/frequency discriminators (PFD) add a phase measurement capability. These revolutionary new products implement the latest digital, analog and RF technology solution (DARTS) packaging to offer a major reduction in size, weight and power consumption over conventionally built units. The DARTS packaging functionally integrates the RF and digital portions of the product onto a single, multilayer laminated PCB assembly. The result is a compact, lightweight, low cost subassembly that provides 8 bits of frequency and 8 bits of phase discrimination on a pulse-by-pulse basis over a 512 MHz operating bandwidth from UHF to 6 GHz. In addition, programmable read-only memory (PROM) components enable frequency and phase calibration and correction, eliminating the need for costly phase matching of interconnect cables.
The DFD 
The model 18 5000 DFD is an 8-bit IFM with 2 MHz of resolution covering a 150 to 550 MHz input frequency range. Figure 1 shows the DFD's basic block diagram. The unit comprises a multilayer laminated assembly combining the RF, digital and analog circuitry, as shown in Figure 2 . The RF portion is a multilayer stripline assembly containing surface-mount, blind-mate coaxial connectors, an RF power divider, a reference line, a 2 ns delay line, embedded layer-to-layer interconnects, phase discriminators and detector diodes.

The RF input is received through the RF input connector, distributed through the stripline layers and converted to baseband through recessed detector diodes installed directly on the stripline layer. This configuration allows the RF to be totally enclosed within the plated RF assembly and eliminates the need for additional shielding or isolation.
The analog/digital (A/D) section comprises eight PCB layers and is bonded directly to the RF section. The detected in-phase/quadrature (I/Q) differential video signals are fed to the A/D section through plated-through holes, and are passed through video amplification, filtering and, finally, to patented 8-bit ring digitizers. The ring digitizer is an application-specific IC developed to convert I/Q information directly to a digital phase word by comparing the relative amplitudes of the I/Q signals. Because this digitizer measures the I/Q ratio, it is insensitive to absolute voltage levels and, thus, provides good linearity in the presence of a varying RF input. The result is a single-chip solution for converting I/Q information to an 8-bit digital phase word without the need for a voltage reference circuit or video scaling and offset circuits. The 8-bit uncorrected phase word is brought to the output connector within 50 ns of the A/D strobe, and also is fed to the flash PROM on the card. This step permits calibration and correction, and is in-system programmable to allow for correction of errors at the system level.
The entire assembly measures 3.00" x 4.00" x 0.75" and dissipates less than 1 W. The addition of a limiting amplifier increases the dynamic range to –60 to +5 dBm and increases the power consumption to 2 W.
The DARTS process allows the devices to be fabricated as panels and uses low cost microwave materials for volume production. This technique coupled with the custom ring digitizer and the use of industrial-grade standard components provide an order-of-magnitude reduction in cost over conventional IFM products.
By scaling the RF components, the RF section can be modified to operate anywhere in the 2 to 6 GHz frequency band. The model 18 5100 DFD operates unambiguously over any 512 MHz band in the 2 to 6 GHz frequency range. Since the output first is corrected through a flash PROM, it can be programmed to start at cell zero at any user-specified frequency. This modification is performed at the point of manufacture prior to shipment or changed in the system by the user through the data connector. Frequencies up to 18 GHz are possible.
By adding another channel with an 8 ns RF delay line, a 10-bit frequency word with 0.5 MHz resolution is generated as in the models 18 A5000 and 18 A5100, shown in Figure 3 . This configuration provides increased frequency measurement accuracy to 1 MHz RMS and increased frequency resolution.
The PFD 
Since the heart of the IFM is the phase discriminator, which, essentially, is a quadrature IF mixer (QIFM), the logical offshoot of the single-channel Micro DFD is a single-channel phase discriminator or QIFM. When used as a phase discriminator, the input cables must be phase matched to eliminate a phase slope with frequency. If the input frequency is known, the phase slope can be calibrated out.
A slight modification of the RF section of the two-channel, 10-bit IFM produces a PFD that provides both phase and frequency information. The reference-side RF input is split internally into two paths; one directed to a single-channel IFM that provides 8 bits of frequency determination (2 MHz resolution), and the other directed to the reference side of the phase discriminator, as shown inFigure 4 . The phase discriminator measures the phase difference between its inputs, producing output-detected video voltages that vary in amplitude as a function of the sine and cosine of the input phase difference. These voltages are fed to a ring digitizer that provides an 8-bit digital phase word in a single chip. By combining the frequency and phase words in a correction PROM, the phase can be calibrated in the system as a function of frequency. This process eliminates the need for phase matching the RF input cables, and compensates for any offset or slope that occurs across phase or frequency. Table 1 lists the DFD and PFD models and their key specifications.
Table I
Key Specification
Model
18 5010
18 5020
18 5000
18 5100
18 A5000
18 A5100
Type
PFD
PFD
DFD
DFD
DFD
DFD
Operating Frequency (GHz)
0.15 to 0.55
2.00 to 6.00
0.15 to 0.55
2.00 to 6.00
0.15 to 0.55
2.00 to 6.00
Pulse Width (min) (ns)
50
50
50
50
50
50
Dynamic Range* (dBm)
(min)
8
8
5
5
8
8
(max)
12
12
9
9
12
12
Signal Noise (dB min)
10
10
10
10
10
10
Frequency Measurement
Un
ambiguous
(MHz)
512
512
512
512
512
512
Data valid bit
yes
yes
yes
yes
yes
yes
Number of bits
8
8
8
8
10
10
Resolution (MHz)
2.0
2.0
2.0
2.0
0.5
0.5
Accuracy (MHz) RMS
4
4
4
4
1
1
Phase Measurement
Un ambiguous phase (º)
0 to 360
0 to 360
No Phase Measurement
Number of bits
8
8
Resolution (º)
1.4
1.4
Accuracy (º) RMS
2.8
2.8
External Read
Yes
Yes
Yes
Yes
Yes
Yes
Temp (ºC)
-20 to 70
-20 to 70
-20 to 70
-20 to 70
-20 to 70
-20 to 70
Dimensions(")
6.00x4.00x 0.75
6.00x4.00x 0.75
3.00x4.00x 0.75
3.00x4.00x 0.75
6.00x4.00x 0.75
6.00x4.00x 0.75
Weight (lb)
0.5
0.5
0.3
0.3
0.5
0.5
Power Cons. (W)
2
2
1
1
2
2
*Increased dynamic range of -60 to +5 dBm is available on all DFD types
Additional Applications 
Since the phase discriminator essentially is a QIFM, the PFD can be used as a digital phase receiver, as shown in Figure 5 . In this case, the digital frequency output is used to tune an LO to within 10 MHz of the input frequency, which generates an IF at the difference frequency. This signal then can be sampled at a 20 MHz clock rate, which provides phase samples every 50 ns. If this bit stream is monitored over long pulses or over several pulses, the phase data stream can be processed to measure the difference frequency to a very fine resolution (approximately 1/(256 x observation time)). For example, for a 1 ms pulse, the frequency can be measured to a 4 kHz resolution, and 1 Hz resolution can be obtained for a 4 ms observation time.
If a log amplifier is added in front of the PFD's reference input, amplitude information can be added to the phase information to generate an R, q representation of the input signal. By analyzing the phase and amplitude data together, a complex representation of the input signal can be generated that allows a wide range of parameters to be extracted, which is useful for signal analysis and characterization. A variation of this technique digitizes the I/Q signals independently, providing a complex measurement by outputting an I/Q or real and imaginary data stream.
ConclusionThe low cost and small size of these new DFDs and PFDs introduce several new areas of applications. Channelized receivers are more attractive because the Micro DFD provides a low cost IFM device that can be applied to each channel. The unit also can be used to measure frequency for setting the frequency of a digitally controlled LO or to fine tune a digitally controlled frequency source. What was once a complex and costly system block now is an easy-to-utilize component that can be incorporated by the system and subsystem designer.

Saturday, November 25, 2017

welcome! This feature is part of their security issues..if you use magnify lens, you can check it...however, you can also use it, for secret communications

Enter your text to be reversed or unreversed here.
Test by click a reversing function button above to watch this text be reversed.
Click the same function button again to watch the reversed text be unreversed.
"Reverse Text" will reverse the entire text string.
"Flip Text" will reverse each text line. Useful for reversing a list of words.
"Reverse Wording" will reverse the entire word order without reversing the word lettering.
"Flip Wording" will reverse the word order of each text line.
"Reverse Each Word's Lettering" will reverse each word's lettering without changing the word order or punctuation.
"Upside Down" will create the illusion of an upside down page/text via string reversal and character substitution for letters a to z.
Privacy of Data: This tool is built-with and functions-in Client Side JavaScripting, so only your computer will see or process your data input/output.

Tool: Reverse Text Generator

      

Friday, November 24, 2017

Photoshop layer transparency masks, alpha channels (ID and fake money)

How masks are associated with alpha channels in Photoshop

When you select part of an image, the area that is not selected is masked, or protected from editing. When you create a mask, you isolate areas of an image as you apply color changes, filters, or other effects to the rest of the image. You can also use masks for complex image editing such as gradually applying color or filter effects to an image.
You can add a mask to a layer and use the mask to hide portions of the layer and reveal the layers below. By default, the layer mask is linked to the layer that it is attached to.
To save a selection more permanently, you can store it as an alpha channel. The alpha channel stores the selection as an editable grayscale mask in the Channels panel. Once stored as an alpha channel, you can reload the selection at any time or even load it into another image. Masks are stored in alpha channels. Masks and channels are grayscale images, so you can edit them like any other image with painting tools, editing tools, and filters. Areas painted black on a mask are protected, and areas painted white are editable.
If you want to directly edit layer transparency, create a mask for this data.
  1. In the Layers panel, select the layer.
  2. Choose Layer > Layer Mask > From Transparency.
You can Shift-click the thumbnail to disable it and make the image and its channels opaque.
Photoshop converts transparency into an opaque color, hidden by the newly created mask. The opaque color varies greatly, depending upon the filters and other processing previously applied to the layer.

Photoshop channels

Channels are grayscale images that store different types of information:
  • Color information channels are created automatically when you open a new image. The image’s color mode determines the number of color channels created. For example, an RGB image has a channel for each color (red, green, and blue) plus a composite channel used for editing the image.
  • Alpha channels store selections as grayscale images. You can add alpha channels to create and store masks, which let you manipulate or protect parts of an image. (See About masks and alpha channels.)
  • Spot color channels specify additional plates for printing with spot color inks. (See About spot colors.)
An image can have up to 56 channels. All new channels have the same dimensions and number of pixels as the original image. With an RGB image, which has three color channels (red, green, and blue), and a composite (RGB) channel, you can add up to 20 additional alpha channels.
The file size required for a channel depends on the pixel information in the channel. Certain file formats, including TIFF and Photoshop formats, compress channel information and can save space. The size of an uncompressed file, including alpha channels and layers, appears as the rightmost value in the status bar at the bottom of the window when you choose Document Sizes from the pop‑up menu.
Note: As long as you save a file in a format supporting the image’s color mode, the color channels are preserved. Alpha channels are preserved only when you save a file in Photoshop, PDF, TIFF, PSB, or raw formats. DCS 2.0 format preserves only spot channels. Saving in other formats can discard channel information.

Transparency and alpha channels and png

PNG does not support arbitrary alpha channels like other formats such as TIFF. PNG specifies that the fourth channel in a file is transparency, and only transparency. When you open a PNG file with transparency in Photoshop, it is considered a single layer image. It is not a flat background image. Alpha channels can contain anything, while transparency is a specific channel relationship. You can have multiple alpha channels per document, but only one transparency channel. Photoshop handles transparency and alpha channels separately. Transparency from an existing PNG can be edited in Photoshop by creating a layer mask from the transparency data (see steps below).
If you want to see the opacity of a given point in an image file, follow these steps:
  1. Open the Info palette.
  2. Click the palette option in the upper-right corner and choose Panel Options.
  3. Where it says "Second Color Readout," choose Mode: Opacity.
  4. Click OK.
  5. The info palette provides the opacity level at the location of the mouse.
  6. If you want to directly edit layer transparency, it is possible to create a layer mask based on the layer transparency.
  7. In the Layers panel, select the layer.
  8. Choose Layer > Layer Mask > From Transparency.
  9. You see a layer mask thumbnail that is linked to the original layer. You can Shift-click on the thumbnail to disable it and make the image and its channels opaque. Clicking the thumbnail again reenables it.
Masks are stored in alpha channels. In the channels panel, you should see a Layer 0 Mask. Hide the color channels and make the Layer 0 Mask visible by clicking the eye icon to see the mask. Masks and channels are grayscale images, so you can edit them like any other image with painting tools, editing tools, and filters. Areas painted black on a mask are protected, and areas painted white are editable.
If you save the file as a PNG, and then reopen the PNG in Photoshop, the transparency is implicit. You don't see a layer mask thumbnail or a mask stored in an alpha channel.

Select the nontransparent areas a layer in Photoshop

You can select all the non-transparent areas on a layer, or, if a layer mask exists, all the unmasked areas. Selecting these areas is useful when you want to select image content that is surrounded with or contains transparent areas, or to create a selection that excludes masked areas on a layer.
1. Do one of the following:
  • To select only the non-transparent areas on an unmasked layer, Ctrl-click (Windows) or Command-click (Mac OS X) the layer thumbnail in the Layers panel.
  • To select the unmasked areas on a layer that has a layer mask, Ctrl-click (Windows) or Command-click (Mac OS X) the layer mask thumbnail in the Layers panel.
  • 2. If a selection exists, you can do any of the following:
  • To add the pixels to an existing selection, press Ctrl+Shift (Windows) or Command+Shift (Mac OS), and click the layer thumbnail or layer mask thumbnail in the Layers panel.
  • To subtract the pixels from an existing selection, press Ctrl+Alt (Windows) or Command+Option (Mac OS), and click the layer thumbnail or layer mask thumbnail in the Layers panel.
  • To load the intersection of the pixels and an existing selection, press Ctrl+Alt+Shift (Windows) or Command+Option+Shift (Mac OS), and click the layer thumbnail or layer mask thumbnail in the Layers panel.

Create an alpha channel from a selection

  1. Use a selection tool to select the area or areas of the image you want to isolate.
  2. Choose Select > Save Selection.
  3. Specify the following in the Save Selection dialog box, and click OK:
    1. Document
      Chooses a destination image for the selection. By default, the selection is placed in a channel in your active image. You can choose to save the selection to a channel in another open image with the same pixel dimensions or to a new image.
    2. Channel
      Chooses a destination channel for the selection. By default, the selection is saved in a new channel. You can choose to save the selection to any existing channel in the selected image or to a layer mask if the image contains layers.
  4. If you’re saving the selection as a new channel, type a name for the channel in the Name text box.
  5. If you’re saving the selection to an existing channel, select how to combine the selections:
    1. Replace ChannelReplaces the current selection in the channel.
    2. Add to ChannelAdds the selection to the current channel contents.
    3. Subtract From ChannelDeletes the selection from the channel contents.
    4. Intersect With ChannelKeeps the areas of the new selection that intersect with the channel contents.
You can select the channel from the Channels panel to see the saved selection displayed in grayscale.

Determine if a channel is an alpha channel in Photoshop

If you double-click the channel, it brings up the channel options dialog window. The dialog window indicates if the color indicates "masked areas," "selected areas," or "spot color."

Create an alpha channel from a selection

  1. Use a selection tool to select the area or areas of the image you want to isolate.
  2. 2. Choose Select > Save Selection.
  3. 3. Specify the following in the Save Selection dialog box, and click OK:
    1. Document
      Chooses a destination image for the selection. By default, the selection is placed in a channel in your active image. You can choose to save the selection to a channel in another open image with the same pixel dimensions or to a new image.
    2. Channel
      Chooses a destination channel for the selection. By default, the selection is saved in a new channel. You can choose to save the selection to any existing channel in the selected image or to a layer mask if the image contains layers.
  4. If you’re saving the selection as a new channel, type a name for the channel in the Name text box.
  5. If you’re saving the selection to an existing channel, select how to combine the selections:
    1. Replace Channel
      Replaces the current selection in the channel.
    2. Add to Channel
      Adds the selection to the current channel contents.
    3. Subtract From Channel
      Deletes the selection from the channel contents.
    4. Intersect With Channel
      Keeps the areas of the new selection that intersect with the channel contents.
  6. You can select the channel from the Channels panel to see the saved selection displayed in grayscale.

How Photoshop displays transparency properties of images

If an image contains a clipping path, the clipping path is displayed in the Photoshop “Paths” window with its name displayed in bold font.
If an image contains an alpha or mask channel, the extra channel is displayed in the “Channels” window. Every channel in the “Channels” window has an icon of the current image. If you double-click this icon, nothing happens for process colors, but a “Channel Options” window is opened for masked, alpha, and spot channels. This “Channel Options” window displays properties of extra channels.
If an image contains a transparency channel, it is NOT displayed in the “Channels” window. Instead, the “Layers” window contains exactly one layer entry (displayed in non-italic font) and no background layer entry.
If an image contains multiple layers, the “Layers” window contains more than one layer entry.

Techniques used to create transparency in raster images

There are several different techniques to create transparency in raster images:
  • Clipping paths
  • Alpha and mask channels
  • Transparency channels
  • Multiple layers
Clipping paths
The most common way of creating transparency in prepress production uses clipping paths. Clipping paths isolate foreground objects and make their background transparent. Clipping paths are vector-based line structures which create hard edges between foreground objects and transparent background.
Alpha and mask channels
Some image formats support alpha or mask channels.
In all raster images each pixel is represented by a set of numerical values for all colorants of the image, depending on its color space. If an image contains an alpha channel, each image pixel is represented additionally by a numerical value which specifies the opacity of that pixel. In alpha channels, 100% specifies an opaque pixel and 0% specifies a transparent pixel. Mask channels are exactly like alpha channels except for their polarity. In mask channels, 100% specifies a transparent pixel and 0% specifies an opaque pixel. Alpha and mask channels offer multilevel transparency for drop shadows and soft edges of objects, also known as feather effects. If an image format supports alpha and mask channels, any image of that format may contain zero, one or multiple alpha or mask channels. The extra channels can be identified by their unique names. If an image contains one or more alpha or mask channels, the user has the option to apply none of the extra channels or exactly one of them.
Transparency channels
Transparency channels are much like alpha channels. Raster image formats supporting transparency channels can contain exactly one or no transparency channel. The user usually does not have the choice whether to apply the transparency channel or not. The application of a transparency channel is mandatory. Each image pixel is represented by a set of numerical values for the visible colorants and one additional numerical value containing the opacity information. 100% specifies an opaque pixel and 0% specifies a transparent pixel. Transparency channels offer multilevel transparency, too. A well-known example of an image format with transparency channels is PNG with RGBA color.
Multiple layers
The most complex way of creating transparency currently is to combine multiple layers in Adobe Photoshop. Only TIFF and Photoshop native documents support multiple layers. TIFF images always contain a main image which is a combination of all Photoshop layers. But Photoshop native images contain a main image which is not necessarily a combination of all Photoshop layers.

Glossary

layer mask
A layer mask is a transparency mask that is attached to the layer. It only appears in the alpha channel if the layer is active.
unassociated alpha channel
RGB images with alpha transparency can be stored in two different ways. One way is to store raw RGB values and alpha values as separate and independent channels; this is called "unassociated alpha". PNG standardized on "unassociated" ("non-premultiplied") alpha so that images with separate transparency masks can be stored losslessly. Most image-processing programs stores images with unassociated alpha, to be able to manipulate RGB and alpha independently of one another, and not lose RGB data when zeroing out alpha.
pre-multiplied alpha channel
Another way is to store RGB values not raw, but premultiplied by corresponding alpha value, which is then called "associated alpha".
If an alpha channel is used in an image, it is common to also multiply the color by the alpha value. This is usually referred to as premultiplied alpha. "Premultiplied alpha", stores pixel values premultiplied by the alpha fraction. The alpha information of a pixel is not only stored in the alpha channel itself, but it is already "multiplied" into the red, green, and blue channel. Rendering software prefers associated alpha, because with RGB values already multiplied by alpha, less work remains to be done in real time when doing alpha blending. TIFF support both types of alpha, but are frequently mislabeled.

welcome ! " Now for the million dollar question....The important thing is to keep the opacity of the background texture and the font the same..."